Yuva Swaranubhuti April 2022 | Tanmay Deochake, Deepika Varadarajan Yuva Swaranubhuti is the perfect physical and digital platform for young performers who have wowed audiences with their learned talent and expertise. RFPA, on a mission…
Arpit Digital 2022 | Rujuta Soman Cultural Academy Arpit, a Sanskrit word means ‘to dedicate’. The students of Arpit, under the able guidance of their guru Rujuta Soman, scale new heights of in their Kathak…
RFPA Mourns a Personal Loss Padma Vibhushan Late Pandit Shivkumar Sharmaji was considered the “true innovator to bring Santoor in the domain of Indian classical music ”. He was a Guru for the whole Classical…
Padmini Rao talks about her background and also tells us what she’s performing for e-Swaranubhuti April 2022.
e-Swaranubhuti Jan 2022.mp4
Mr Prakash Gurav was co-opted on the Board in May 2021.
He is a Chartered Accountant. He has experience of more than 40 years. He had worked in senior management positions with reputed MNC and Tata Motors Limited. Currently, he is associated with five companies as independent director.
He brings in experience to provide guidance on matters relating to Finance & Accounting, internal control and compliances.
The event was graced with performances by the great maestro Pandit Mukul Shivputra. After being in a state of digital dependence for so long, it was truly a treat for those present to hear him in person.
Diwali Pahaat 2021 | Diwali Music Festival | Jayateerth Mevundi | Rujuta Soman | Classical Arts We are here to light up your Diwali with our special early morning show. This Diwali, wake up to…
Aditri says, “It was a beautiful workshop conducted very systematically. Thoroughly enjoyed a lot.
Looking forward for more such amazing workshops☺👍👍💐💐”
Gayatri says, “The workshop was an wholesome approach to learning. It was blend of dance nuances, chorographic approach, talam understanding, coordination of the mind – body aspect. It is always a bliss to learn from Pavitra Anna, his understanding and dedication to teaching is par excellence. The workshop was very budget friendly & a huge thanks to Rithwik Foundation for coming up with this E-learning technique. Looking Forward eagerly to Learn many more compositions and hopefully a Full Margam in Bharatanatyam from Pavitra Anna in collaboration with your Foundation.”
In a recent article in Hindustan Times, Ghazal Maestro Talat Aziz became candid in expressing his thoughts on the pandemic and its effects on his teaching and relationship with the students.
Swar Ankur 2021 | Session 1
Melange – The Monsoon Magic This is a collaboration like never before. An astounding line-up of artists, each a master of their art form. An extravaganza of vocals, kathak, and instruments! Also introducing R 4…
e-Swaranubhuti Final
Esha says, “I am currently pursuing kathak. I attended your workshop and it was really a great experience for me. I learnt a lot of new techniques and of course Dohas they were splendid . Mam I am really influenced by your dance and I am really looking forward to attending your future workshops in person. “
Pia says, “There are no words to express how wonderful the last 3 days of the Abhinaya workshop have been. We are so lucky to be able to learn from you, and to learn Baby Tai’s own compositions was a huge privilege, I feel so honoured to have been a part of it. The choreographies of the doha’s were unparalleled, a real gift to all dancers. It gave us so many valuable insights into her mind and choreography process. Like you said, it is not just a word-to-word choreography, but truly created the feel of the object/person/emotion being portrayed. There was such minute attention to details, the viewer can actually visualise a whole scene. Your reminiscences of Baby Tai really added to the magic. And I was just thinking, we are lucky to have Zoom recordings of your teachings, but your real memories with your Guru are more vivid and detailed than any recorded videos. You are such a patient, encouraging teacher, you always make us believe we can also do it. Your passion for dance is infectious and inspiring. And most of all, hats off to you for managing all this so well online!”
Paridhi says, “It was an amazing session. I really enjoyed it. I have learned so many new things which I had don’t know and this is my first time time when I attend someone workshop , you are so pretty and your expression are so perfect ,body language, posture and the way you taught about the doha little little thing each and everything . Thank you so much for this session.”
Leenata says, “It was indeed a great and wonderful opportunity for me to attend the first Abhinay workshop conducted by Rujuta Tai. Watching her Abhinay performance is truly mesmerizing and captivating. In the workshop she explains how one needs to pour life and energy to bring alive this beautiful artform. Her teachings in their own way also reminded me how one needs to see, appreciate and enjoy the beauty we already have in our lives and nature around us. Rujuta Tai is a reflection of the work of Dr. Guru Rohini Tai and does the great work of carrying forward the teachings. Teaching her skills to students comes very naturally and effortlessly to her. It is my blessing and a privilege to be able to learn and be guided from her.”
Krishna is truly ONE among us. Celebrate this Janmashtami singing the praise of Lord Krishna!
Sarode Festival Day 01 | Pt Basant Kabra Pandit Basant Kabra belongs to a family of industrialists who have maintained a keen interest in Hindustani classical music. After initial training from his father, Damodarlal Kabra,…
Sarode Festival Day 02 | Pt Narendra Nath Dhar Narendra Nath Dhar is one of the finest exponents of the Seniya Gharana who is known for his innovativeness and refined style as well as pholding…
Sarode Festival Day 03 | Pt Partho Sarothy Partho Sarothy is one of the finest musicians of our country. His music embodies the true heritage of Hindustani raagdari music. His virtuosity on the sarode makes…
Partho Sarothy is one of the finest musicians of our country. His music embodies the true heritage of Hindustani raagdari music. His virtuosity on the sarode makes his exploration of raagas an exercise in harmony and tranquility.
Narendra Nath Dhar has performed in almost all of the prestigious music conferences of India and has also toured abroad. A popular AIR and TV artist, he has captivated audiences all over the world with his exquisite command over the Sarode.
Pandit Basant Kabra belongs to a family of industrialists who have maintained a keen interest in Hindustani classical music. After initial training from his father, Damodarlal Kabra, Basant ji got rigorous training from Guru Maa Annapurna Devi.
Mahalakshmi says, “I feel very privileged to be a part of this class. Sir ensures we enjoy the process of learning as much as we gain knowledge. Even though I don’t have much background in Hindustani music (as am Carnatic trained) he will explain in simple terms so that I can relate and grasp as much as possible. He is appreciative of small wins when we succeed. Also he has so many life experiences and memories to share that makes the journey very enjoyable for all of us. Based on the students skill sets he will ensure he makes them feel comfortable. I thoroughly enjoy this class and it’s great to meet so many people across India who are coming together with Sir on this learning journey. Hopefully we can make a sincere effort that we all will carry some part of the ghazal learning legacy with us and spread happiness through the great learnings that we have from Talat Sir.
Living far away from India, music brings us together.”
Sanjay says, “मेरे गुरु उस्ताद “तलत अज़ीज़” साहब, मैं अपने आपको बेहद खुशकिस्मत समज़ता हु, की आपने मुझे आपकी ऑनलाइन कैशा मैं ग़ज़ल सिखने के काबिल समझा,आप एक बेहतरीन कलाकार के साथ एक बेहतरीन इंसान हैं, आप बेहद संवेदनशील इंसान हैं, आप अपने स्टूडेंट्स को समज़ने की क्षमता रखते हैं, आप को हम गुरु के रूप में पाकर धन्य हैं.
(आप मेरे लिए खुदा का रूप हो”
Rujuta Soman, Kathak exponent and classical dance guru at RFPA, participates in Times Of India’s Times World Dance Day Utsav on Facebook Live.
There is no excerpt because this is a protected post.
Talat Aziz, loved far and wide as the Ghazal maestro, has been connected with RFPA and reaching students globally through our digital platform.
Arun says, “Every Dark Cloud does have a silver lining! Amidst all gloom and doom of covid and the negative stories throughout the world, the 90+ mins spent every Saturday evening remains a treasure chest that keeps growing ! The opportunity to experience a true legend in the world of Ghazal gayaki has been truly amazing- every minute being one greater than the other! Talat sir, apart from being an exemplary musician comes across as a wonderful human being who deserves all and more of accolades for the respect he shows towards his craft as well as his seniors! Thanks a lot to Rithwik foundation for the commitment to the cause of spreading musical joys! Looking forward to learn lot more.”
Sauradeep says, “It was always my pleasant dream to learn the vocal style of playing the violin under the guidance of the violin maestro Vidushi Kala Ramnath. It’s entirely because of the RPFA that I could get an opportunity to get my dream fulfilled. Kala Ramnath Ma’am along with Dr. Sarada Das Sir teaches all of us individually with utmost care and focusses on bringing the correct intonation and clarity to play all vocal phrases on the violin. It’s really an honor to learn from such stalwarts of music and also to remain a part of such a wonderful batch where all my batchmates are themselves wonderful players of the instrument.”
Aprajita says, “Like yin and yang, everything has something positive and negative in it. The pandemic brought about a never dreamt of possibility into my life in the form of online ghazal classes with Shree Talat Aziz. Getting back to musical training in this way still feels surreal. It’s not just that he’s a legend (which is of course a pinch-me moment), his amazing patience and tremendous passion to impart this heritage to all who seek is overwhelming. I’m mostly challenging myself to be worthy of this knowledge and consider it my greatest fortune to have got this opportunity. Thank you, Talat Sir for your patience, time and positive energy. The classes with you are inspirational. I can’t thank you enough for this opportunity. Thank you so much RFPA for making this possible. The technology and coordination are seamless, making the learning process an amazing experience.”
Aparna says, ” Its an amazing experience learning from a Ghazal Maestro Talat aziz ji which i did not have before.He has an art of teaching Difficult ghazal gayaki in a simplified manner which is really commendable. Listening to his singing is a treat to ears always. Enjoy being in this batch with Sir and all other fellow singers. THANKS!”
Aashish says, ” Unbelievable! Never would I have imagined that I’d get to learn ghazal singing from the maestro Talat Aziz ji himself, who I’ve always been a huge fan of. I can’t thank RFPA enough for giving me the opportunity to be a part of this initiative. I’ll hope these classes continue forever and I keep learning from Sir.”
Ravleen says, “I am very grateful to Rithwik Foundation for providing me with this unique opportunity to learn Ghazal Gayaki from the Ghazal Maestro Shri Talat Aziz ji. This is also helping me further strengthen my Hindustani Classical Vocals training which I am undergoing under the able tutelage of Guru Smt. Aparna ji since the age of 8 years.”
Shruti says, “मेरा सौभाग्य हैं की मुझे talat aziz sir सीखने का मौका मिला !वो इतने सहज ढंग से सीखते हैं की कठिन से कठिन कार्य भी आसान हो जाता हैं ! वे जितने अच्छे कलाकार हैं उतने अच्छे गुरु भी हैं”
M Sundaraumya says, “We heard music does not have barrier including language and classes under RFPA is an Example as here students are from across India. Mr. Sarada Sir is down to earth and he teaches violin to the students by going to their level in pleasing manner. Mrs. Kala Ramnath ma’am also gives various inputs and nuances about playing violin during her visit. Both Gurus are always smiling, which enables the students to learn in comfort. Thanks.”
Kumari says, “Rithwik foundation for performing arts is a very nice platform to encourage Indian music and arts! It just changed my life as it played a great role in giving wings to my dream. Learning from the maestro wouldn’t have been possible if RFPA wasn’t planning this all. Fortunate to be associated with this. Every thing is well managed. Our faculty is very cooperative in making us learn the techniques. I wish this journey continues… Best wishes to RFPA.”
Hitesh says, “I feel previlege to be part of this innovative learning platform.I can realise improvement in my violin playing under the guidance and mentorship of great violin virtuso Kala Ramnathji and her disciple Sarad Das. My cordial thanks to team RFPA for organising this online event very smoothly and interactively. Thanks.”
Archana says, “I feel really lucky and blessed to learn under the Ghazal maestro Talat Aziz sir, which I’ve been wishing for since a few years. I would really want to thank Rithwik Foundation for this amazing opportunity. It’s a great platform for seekers like us to interact and learn from the maestros. Ghazal gayaki to me is a very difficult form of singing, has its own beauty. Very different from the other genres. I’ve always wanted to learn it. Getting this wonderful opportunity to learn the gayaki of the Legend Late Mehdi Hassan saheb, through his disciple, the maestro Talat Aziz ji himself was more than I could ask for.”
Venkatesh says, ” I am very excited to be able to learn from Pravin ji directly. For me, it is a long time dream come true. It has been truly fruitful and enjoyable learning experience with Guruji. I hope that these classes will never end! I am very grateful to Guruji for accepting me as his student. Many thanks to Rithwik Foundation to make this magic happen!”
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Debopriya Chatterjee – Flute
Manjusha Patil – Vocals
Savani Talwalkar – Tabla
Pandit Jayateerth Mevundi – Vocals
Pandit Pravin Godkhindi – Flute
Pandit Yogesh Samsi – Tabla
Purbayan Chatterjee – Sitar
Rujuta Soman – Classical Dance
Talat Aziz – Ghazal
Kala Ramnath – Violin & Vocals
Young artists can now register to become the next e-Yuva Swaranubhuti performer!
Arpit 2020 Day 04 Grand Finale
e-Swaranubhuti Inaugural Event This is a very different year and we all know that we cannot go out from our homes to pay homage to Lord Ganesha and also to attend the various programs which…
Arpit 2020 Day 01
Arpit 2020 Day 02
Arpit 2020 Day 03 Session 1
Arpit 2020 Day 03 Session 2
Swarateerth Session 01 (14th November 2020)
Swarateerth Session 02 (15th November 2020)
Swarateerth Session 03 (15th November 2020)
This will be the last of the student performances, before the Grand Finale. A treasure-trove…
The first session of our penultimate performance of ARPIT 2020 is filled with talent…
The second day continues to astound the audience. Students will be performing bandishes…
To commence with, we present to you- ‘Shuklambaram’, praising the Almighty…